Apparently, this is what qualifies as a pastoral comedy – one which has a countryside setting, rustic simpletons and displays a clash between the cosmopolitans and the rest. Of all of Shakespeare’s plays, AYLI is the most representative of this genre. I understand why this is not rated as among his best. The bard's fascination … Continue reading As You Like It
Category: Books
“Written kisses don’t reach their destination, rather they are drunk on the way by the ghosts”
I love texting. Texts are a constant companion for me – quick check-ins, official work, deep chats late in the night, banter in the family groups are all various forms of texting that I (and probably all of us?) indulge in. At times, I get melancholic when I realize that texts are going to be … Continue reading “Written kisses don’t reach their destination, rather they are drunk on the way by the ghosts”
Twelfth Night
Soon after finishing ‘Twelfth Night’, I watched the 1996 movie adaptation by Trevor Nunn and was better able to appreciate the play. Four hundred years before gender, queerness and homoerotic love became a fad, we have the Bard tackling all these themes in a comedy without breaking a sweat. That said, I found the plot … Continue reading Twelfth Night
The Merchant of Venice
Was Shakespeare an antisemite? Many argue that his portrayal of Shylock in ‘The Merchant of Venice’ is proof that he was one. Shylock the Jew is a money lender who demands a pound of flesh from Antonio, loses his mind when his daughter elopes (setting off with his jewels and ducats) and refuses to curry-favour … Continue reading The Merchant of Venice
Girard’s Scapegoat Mechanism and the Mahabharata
In the fable of the 'Fox and the Sour Grapes', the disappointed fox walks away at the end. He does this only because he is alone. Had there been a few more foxes salivating over the grapes, walking away would have been tough. According to the French philosopher Rene Girard, everything we desire is driven … Continue reading Girard’s Scapegoat Mechanism and the Mahabharata
The Tempest
Shakespeare’s play of a magician conjuring up a storm and bringing together a group of men to his island—his mastery over a native, a compliant spirit, and a daughter who is ‘made’ to fall in love with a prince—is a meta-story of the theories propounded by Plato, Machiavelli, Hobbes, and Montaigne. The Tempest should be … Continue reading The Tempest
Gauguin and van Gogh’s Ear
The meme below was undoubtedly the funniest one I came across after the assassination attempt on Trump last year. It’s a clever riff on van Gogh’s self-portrait soon after he chopped his ear with a razor. I bring this up now as I had forgotten that the reason for his act was his tiff with … Continue reading Gauguin and van Gogh’s Ear
Baazigars & The Brits
Whatever little Hindi I knew as a child came from the Bollywood movies of the 90s. When SRK’s ‘Baazigar’ came out in ’93, the ten-year-old me learnt a new word which I then thought meant ‘Magician’. It was only when 32 years later, that I discovered that the word was far more layered than I … Continue reading Baazigars & The Brits
Gates’ Source Code
Today, Bill Gates is known more for his sage-like utterings on global development and the groundbreaking work of his foundation than for his technological prowess. But for someone who grew up in the ’90s, Gates was undoubtedly the towering giant of the tech world. The PC revolution that had been underway since the ’80s, the … Continue reading Gates’ Source Code
Macbeth
I’ve embarked on a new multi-year project: reading Shakespeare. Over the coming years, I plan to tackle all his 39 plays. I began with Macbeth and it wasn't too hard to discern why he’s claimed to be the deepest thinker the human race has ever produced. If you’re daunted by the language of Shakespeare, I … Continue reading Macbeth









