The Italian writer Alberto Moravia (1907-90) who wrote most of his famous works during the 50s was my discovery of the month. I'm onto his fourth book and have been floored by his excavation of the interior worlds of his characters and the existential angst that he confronts in his writings. In 'Contempt', a scriptwriter … Continue reading Moravia’s ‘Contempt’ and Ulysses’ Refusal to Return to Penelope
Hardly a week goes by without my reading at least one piece from The New Yorker. Its long-form journalism and the sheer breadth of its coverage—from global wars and haute couture to fiction and cinema—have always been a magnet for me, along with that unmistakable, one-of-a-kind font that makes every page instantly recognizable. Netflix has … Continue reading An Ode to The New Yorker
I was skeptical before I began listening to the Malayalam audiobook of Nalini Jameela’s acclaimed autobiography 'Njan Lymgikathozhilali'. The first part of the book dealing with her childhood and initial foray into sex work was a drag. But towards the end, when she began writing of her activism and the socio-political context of the sex … Continue reading Nalini Jameela’s ‘The Autobiography of a Sex Worker’
When we think of Nelson Mandela, we have this statesmanesque vision in our minds. A man who suffered incarceration for 27years and then emerged to lead and heal a country torn by Apartheid is always bound to evoke such imagery. Jonny Steinberg’s ‘Winnie and Nelson: Portrait of a Marriage’ gave me a reality check of … Continue reading Winnie and Nelson
My commute to office is the time I usually listen to music – mostly Carnatic Classical. As most this happens through YouTube, I usually end up listening to the same superstars and mostly tracks that more or less cover the most popular ragas and compositions. In October, on a whim, I thought of bringing in … Continue reading Shyama Shastri’s Compositions
Last night, just after publishing the post on theContemporary Art Market, I got to know about the passing away of Frank Gehry – an architect and personality with a close connect to the contemporary art market. In the early 1990s, the Guggenheim Museum in NY decided to lend its name and collection to an outpost … Continue reading Frank Gehry’s Iconic Masterpiece
One of my friends was recently commissioned to write the catalogue for a contemporary art exhibition. In solidarity, I attended the gallery walk-through on the day of the inauguration. I understood very little of what was on display, and I suspect that most in the room were equally flummoxed by the pieces. But what I … Continue reading The Contemporary Art Market
This November, although I was physically in Delhi, I spent most of the month mentally wandering the streets of Naples. I was immersed in Elena Ferrante’s Neapolitan Quartet, and I’m still not sure how to fully describe the experience. The four books, spanning 1700 odd pages was one of the most powerful literary encounters I’ve … Continue reading Ferrante’s Neapolitan Quartet
Shame: Steve McQueen’s Shame - a deep dive into the psyche of a sex addict had Micheal Fassbender pull off a great effort. The inability to get aroused with romantic partners, the porn-addiction and his eventual spiral towards a violent climax was a gripping watch. Hunger: The 1981 Irish hunger strike was the culmination of … Continue reading What I Watched – November 2025
In his lecture on Othello, the critic Harold Bloom has this memorable line: “Shakespeare was the greatest theorist of sexual jealousy the world had ever seen before the advent of Freud and Proust”. While ‘Much Ado About Nothing’ had jealousy as one of its themes, it is in Othello that Shakespeare explores this in all … Continue reading Othello
