The hyperlinks take you to my reviews…. Open Socrates: The Case for a Philosophical Life by Agnes Callard The High Cost of Free Parking by Donald Shoup The Berlin Wall: A World Divided, 1961-1989 by Frederick Taylor Shattered Lands: Five Partitions and the Making of Modern Asia by Sam Dalrymple 1493: Uncovering the New … Continue reading Best Non Fiction 2025
The hyperlinks take you to my reviews…. War and Peace – Leo Tolstoy Elena Ferrante's Neapolitan Quartet - My Brilliant Friend, The Story of a New Name Those Who Leave and Those Who Stay The Story of the Lost Child Kiran Desai’s ‘The Loneliness of Sonia and Sunny' Dickens’ ‘The Bleak House’ Alberto Moravia was … Continue reading Best Fiction – 2025
Velasquez's 'Las Meninas' - one of the most analyzed paintings in all of art history makes an appearance in Samantha Harvey's Booker-shortlisted 'Orbital'. The painting as we know is a complex take on reality, perception, reflection and interpretation. Velázquez places himself within the scene as the painter, yet the true subject of his canvas remains … Continue reading The Dog in Velasquez’s ‘Las Meninas’
The Comedy of Errors is considered to be one of the first plays of Shakespeare and is also his shortest. Double roles and mistaken identities often serve as easy gateways for displaying a writer's ingenuity; Shakespeare, however, raises the stakes by introducing two sets of identical twins, allowing confusion itself to drive the comedy. The … Continue reading The Comedy of Errors
The Italian writer Alberto Moravia (1907-90) who wrote most of his famous works during the 50s was my discovery of the month. I'm onto his fourth book and have been floored by his excavation of the interior worlds of his characters and the existential angst that he confronts in his writings. In 'Contempt', a scriptwriter … Continue reading Moravia’s ‘Contempt’ and Ulysses’ Refusal to Return to Penelope
Hardly a week goes by without my reading at least one piece from The New Yorker. Its long-form journalism and the sheer breadth of its coverage—from global wars and haute couture to fiction and cinema—have always been a magnet for me, along with that unmistakable, one-of-a-kind font that makes every page instantly recognizable. Netflix has … Continue reading An Ode to The New Yorker
I was skeptical before I began listening to the Malayalam audiobook of Nalini Jameela’s acclaimed autobiography 'Njan Lymgikathozhilali'. The first part of the book dealing with her childhood and initial foray into sex work was a drag. But towards the end, when she began writing of her activism and the socio-political context of the sex … Continue reading Nalini Jameela’s ‘The Autobiography of a Sex Worker’
When we think of Nelson Mandela, we have this statesmanesque vision in our minds. A man who suffered incarceration for 27years and then emerged to lead and heal a country torn by Apartheid is always bound to evoke such imagery. Jonny Steinberg’s ‘Winnie and Nelson: Portrait of a Marriage’ gave me a reality check of … Continue reading Winnie and Nelson
My commute to office is the time I usually listen to music – mostly Carnatic Classical. As most this happens through YouTube, I usually end up listening to the same superstars and mostly tracks that more or less cover the most popular ragas and compositions. In October, on a whim, I thought of bringing in … Continue reading Shyama Shastri’s Compositions
Last night, just after publishing the post on theContemporary Art Market, I got to know about the passing away of Frank Gehry – an architect and personality with a close connect to the contemporary art market. In the early 1990s, the Guggenheim Museum in NY decided to lend its name and collection to an outpost … Continue reading Frank Gehry’s Iconic Masterpiece
